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Susan Lillian Townsend (; 2 April 194610 April 2014) was an English writer and humorist whose work encompasses novels, plays and works of journalism. She was best known for creating the character Adrian Mole.
After writing in secret from the age of 14, Townsend first became known for her plays, her signature character first appearing in a radio drama, but her work soon expanded into other forms. She enjoyed great success in the 1980s, with her Adrian Mole books selling more copies than any other work of fiction in Britain during the decade. This series, which eventually encompassed nine books, takes the form of the character's diaries. The earliest books recount the life of a teenage boy during the Thatcher years, but the sequence eventually depicts Adrian Mole in middle age.
The Queen and I (1992), another popular work which was well received, was an outlet for her republican sentiments, although the Royal Family is still rendered with sympathy. Both the earliest Adrian Mole book and The Queen and I were adapted for the stage and enjoyed successful runs in London's West End.
Townsend was poor until well into her thirties and used her experiences of hardship in her work. In her later years, she experienced ill health, in part related to the diabetes she developed in the mid-1980s, and in her last years endured serious sight and mobility problems.
At the age of eight, Townsend contracted mumps, and was obliged to stay at home. Her mother bought a collection of Richmal Crompton's Just William books at a jumble sale which Townsend read avidly. Later, she said the William Brown character was an influence on her best-known creation.Marcus Williamson "Sue Townsend obituary: Author whose hapless, brilliantly drawn teenage hero, Adrian Mole, made her the best selling author of the 1980s", The Independent, 11 April 2014
After failing her 11-plus exam, Townsend went to the secondary modern South Wigston High School.
She married Keith Townsend, a sheet metal worker on 25 April 1964; the couple had three children under five by the time Townsend was 23 (Sean, Daniel, and Victoria). In 1971 the marriage ended and she became a single parent.Susan Mansfield "Obituary: Sue Townsend, author", The Scotsman, 12 April 2014 In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.Sue Townsend "Sue Townsend: how the welfare state left me and my kids scouring the streets for pennies", The Observer, 13 April 2014. Extract from Mr Bevan's Dream, first published in The Observer in 1989.
Aged thirteen, her son questioned one Sunday why they did not go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.
While employed as a supervisor at an adventure playground, she observed a man making nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth.Kate Kellaway Obituary: Sue Townsend, The Guardian, 11 April 2014
Townsend and Broadway married on 13 June 1986.
During this time she was mentored by several theatre directors including Ian Giles and principally Sue Pomeroy who commissioned and directed a number of her plays including Womberang, Dayroom, Groping for Words and subsequently Ear, Nose and Throat. She was also introduced to William Ash, then chairman of the Soho Poly (now Soho Theatre), who likewise played a significant part in shaping her early career. She met writer-director Carole Hayman on the stairs of the Soho Poly theatre and went on to develop many theatre pieces with her for the Royal Court and Joint Stock, including Bazarre and Rummage and The Great Celestial Cow. They later co-wrote two television series, The Refuge and The Spinney.
At the time of writing the first Adrian Mole book, Townsend was living on the Eyres Monsell Estate, near the house in which playwright Joe Orton was brought up. Mole "came into my head when my eldest son said 'Why don't we go to safari parks like other families do?' That's the only real line of dialogue from my family that's in any of the Mole books. It's in because it triggered it. I remembered that kind of whiny, adolescent self-pity, that 'surely these are not my parents.'"Alex Clark "'I didn't know what Adrian Mole looked like – well, not until I saw John Major on the telly'", The Guardian, 7 November 2009
Someone at the publishers Methuen heard the broadcast and commissioned Townsend to write the first book, The Secret Diary of Adrian Mole, Aged 13¾ which came out in September 1982David Hendy Life on Air: A History of Radio Four, Oxford: Oxford University Press, 2007, p.373 The publisher insisted on the change of name because of the similarity to Nigel Molesworth, the schoolboy character created by Ronald Searle and Geoffrey Willans. A month after the book's appearance it had topped the best seller list and had sold a million copies after a year. Adapted as a play, the stage version premiered in Leicester and ran at Wyndham's Theatre for more than two years.Michael Billington "'Plays poured out of her'", The Guardian, 11 April 2014 The first two books were seen by many as a realistic and humorous treatment of the inner life of an adolescent boy. They also captured something of the zeitgeist of Britain during the Thatcher era.
The Growing Pains of Adrian Mole (1984) was reputedly based on her children's experiences at Mary Linwood Comprehensive School in Leicester. Several of the teachers who appear in the book (such as Ms Fossington-Gore and Mr Dock) are based on staff who worked at the school in the early 1980s. When the book was televised, it was mostly filmed at a different school nearby. Mary Linwood Comprehensive was closed in 1997.
These first two books were adapted into a television series, broadcast in 1985 and 1987, and a video game.
Like the first Mole book, The Queen and I was adapted for the stage with songs by Ian Dury and Mickey Gallagher. Michael Billington writes that Townsend "was ahead of the game" in treating the royal family as a suitable subject for drama. He writes: "Far from seeming like a piece of republican propaganda, the play actually made the royals endearing." A later book in a similar vein, Queen Camilla (2006), was less well received.Alex Clark "The country's gone to the dogs", The Observer, 29 October 2006Tom Payne "It's no knockout", Sunday Telegraph, 26 November 2006
On 25 February 2009, Leicester City Council announced that Townsend would be given the Honorary Freedom of Leicester (where she lived). Townsend became a Fellow of the Royal Society of Literature (FRSL) in 1993. "Susan (Sue) Townsend – Authorised Biography", Debrett's Amongst her honours and awards, she received honorary doctorates from the University of Leicester, from Loughborough University and De Montfort University, Leicester.
In 1991 Townsend appeared on BBC Radio 4's Desert Island Discs. Her chosen book was Lucky Jim by Kingsley Amis and her luxury item was a swimming pool of champagne.
She describes being "mesmerised" when seeing Aneurin Bevan, the prime mover of the British welfare state on television for the first time.S.Townsend, Mr Bevan's Dream – Why Britain needs its Welfare State, Chatto and Windus, 1989, p.8. The book consists of a series of short anecdotal stories which touch on ways in which the welfare and education systems of the day supported or (mostly) failed ordinary citizens. In "The Quick Birth", Townsend recalls the experience of giving birth to her first child, born prematurely but who survived thanks to the dedicated National Health Service staff at her local hospital in Leicester; "Community Care" deals with the treatment of vulnerable people with mental health issues; "Mr Smith's privatised penis", the final section, is a dystopian satire on a future where pavements, sunlight, fresh air and even lovemaking have been sold off to private enterprise.
"In this pamphlet, I have fallen back on the traditional working-class method for expressing ideas – the anecdote, or what is now called the "oral tradition" (which is only a fancy term for working-class people talking to each other but not bothering to record what they've heard"). Mr Bevan's Dream, p.3
Townsend, in a 2009 Guardian interview with Alex Clark, described herself as a "passionate socialist" who had no time for New Labour. "I support the memory and the history of the party and I consider that these lot are interlopers", she told Clark. Despite these comments, Townsend said in 1999 that she had only voted Labour once, and in fact, her preference was "Communist, Socialist Workers, or a minority party usually." The journalist Christina Patterson observed of Townsend in 2008: "Her heart, it's clear from her books and a few hours in her company, is still with the people she left behind, the people who go largely unchronicled in literature, the people who are still her friends."Christina Patterson "Sue Townsend: 'I often write about my faults'", The Independent, 28 November 2008
After experiencing kidney failure, she underwent Kidney dialysis and in September 2009 she received a kidney from her elder son Sean, after a two-year wait for a donor. She also had degenerative arthritis, which left her reliant on a wheelchair. By this time, she was dictating to Sean, who worked as her typist.Anna Metcalfe "Small talk: Sue Townsend", Financial Times, 16 March 2012Thomas Quinn "Sue Townsend interview: "I think people are overloaded with information"", The Big Issue, 11 April 2014, originally published in 2012 Surgery was carried out at Leicester General Hospital and Townsend spoke to the BBC about her illness on an appeal for National Kidney Day.
| Thames Television Playwright Award for Womberang |
| Frink award |
| Two honorary doctorates, one from the University of Leicester and one from Loughborough University |
| James Joyce Award of the Literary and Historical Society of University College Dublin |
| Specsavers National Book Awards, Audiobook of the Year, The Woman Who Went to Bed for a Year narrated by Caroline Quentin |
| honorary doctorate of letters from De Montfort University, Leicester |
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